Sap's Rising;
it has been tapped, captured,
heated to pouring perfection.
WITHIN
ME BURNS A FLAME
Seeds're Sprouting,
warmed by layers of grief
and the sun's return.
WITHIN
ME BURNS A FLAME
Sun's Setting
on so many sacred
landscapes. They need rain.
WITHIN
ME BURNS A FLAME
A magpie is nesting.
Drawing upon his ancestors'
DNA, he builds.
He is not sure why.
WITHIN
ME BURNS A FLAME
Spring's coming —
tomorrow, I think. The Planet
is ready. A few things still
need to die.
WITHIN
ME BURNS A FLAME
Showing posts with label resurrection. Show all posts
Showing posts with label resurrection. Show all posts
Sunday, March 19, 2017
Friday, June 6, 2014
Exquisite Meadowgrass Corpse
Written by nine people between the ages of 11 and 55, in blue and black ink on one side of a ripped out page of a composition book, while sitting in lawn chairs under the yellow and white striped tent, being entertained by the Chimney Choir, which wasn't a choir at all.
Transcribed here by me in nine different colors. Remember, in an Exquisite Corpse, the writer can only see, and therefore respond to, the line right before his/hers, as the paper is repeatedly folded over as it passes from person to person.
NB: All spelling, line breaks, punctuation, and capitalization have been retained from the original.
"Am I really going to desicrate
this grave forever? Of course
I am."
I smiled as I lifted the shovel and
lowered it sharply on the grave
The body of the innocent fell
sharply into the freshly dug grave
Innocence was murdered. Without a care.
In one shake of a storm
A lonely crow burst through the clouds
Exploding into feathers and
dust, black as the darkest night
that flew into the air
Like a bird dropping on a
windshield.
Transcribed here by me in nine different colors. Remember, in an Exquisite Corpse, the writer can only see, and therefore respond to, the line right before his/hers, as the paper is repeatedly folded over as it passes from person to person.
NB: All spelling, line breaks, punctuation, and capitalization have been retained from the original.
"Am I really going to desicrate
this grave forever? Of course
I am."
I smiled as I lifted the shovel and
lowered it sharply on the grave
The body of the innocent fell
sharply into the freshly dug grave
Innocence was murdered. Without a care.
In one shake of a storm
A lonely crow burst through the clouds
Exploding into feathers and
dust, black as the darkest night
that flew into the air
Like a bird dropping on a
windshield.
Monday, May 5, 2014
sorry, not today
it was a nice attempt at a bridge.
thank you for trying.
dear god,
you'll want the blue eyeshadow, right?
and cochineal lips? i can't wait to help you with your makeup.
dear devil,
i might take up running with you in
garden of the gods someday.
dear deer,
fleeing on four legs like you would be faster.
and quieter.
dear underworld,
the fences have fallen.
guarded by sad monsters with patient eyes, you beckon.
dear cloud dragons,
i'd like to lift my eyes to your breath.
but prickly micky mouse pears threaten
my chacoed toes.
dear dyc,
i will resist the urge to pick you.
we won't bleed.
our hearts beat too cleverly.
Thursday, September 20, 2012
bread and wine
My mother-in-law is dying.
I know I've said that before. But this time, it's for real.
Here's what it's like, right now...
For twenty minutes every day, you stab little watermelon chunks with a fork, swirl them in the juice at the bottom of the bowl, and wait for her to open her mouth, the sign that she is ready for the next piece. The rest of your day is go, go, go, but during this time, you stop. You are present. You stare at the lines in her face, the colors of the blankets, the shape of her body under the covers. You try to memorize it all: every color, every curve, every sound.
How ignorant I was then! How could I possibly have thought that artichokes and strawberries somehow constituted some sort of "Last Supper"?! People who are dying don't eat artichokes and strawberries! People who are dying eat...watermelon.
People who are dying say things like, "a loaf of bread and a jug of wine", and expect you to know what they're talking about. Last Supper, indeed! The only thing your small mind can conjure up is Jesus, until she gives you another clue. You have to ask for it three times, until you finally make out her whisper: "The Rubaiyat...... Omar Khayyam".
And then you mention that you wished you had your computer, because you'd look it up. The dying person knows what he/she wants, and tells you to look it up on your phone. She may be 86 years old, but she knows that you can find anything you want on a phone!
Thank goodness the caregiver has a smart phone, even if you don't.
And so you begin to read (I highly suggest you read this aloud. Just do it. Please):
Wake! For the Sun, who scatter'd into flight
The Stars before him from the Field of Night,
Drives Night along with them from Heav'n, and strikes
The Sultan's Turret with a Shaft of Light.
You scroll down to see that there are "CI" verses. So you go to the middle, somewhere at random, and read aloud some more, filling the room with rhythm and rhyme:
And we, that now make merry in the Room
They left, and Summer dresses in new bloom
Ourselves must we beneath the Couch of Earth
Descend--ourselves to make a Couch--for whom?
Ah, make the most of what we yet may spend,
Before we too into the Dust descend;
Dust into Dust, and under Dust to lie
Sans Wine, sans Song, sans Singer, and--sans End!
You succeed in barely not choking up and crying. And then, in the scrolling, you see it. And of course you read it. Aloud.
A Book of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread--and Thou
Beside me singing in the Wilderness-- Oh,
Wilderness were Paradise enow!
We're getting close, friends. This person is gone.
Here's what it's like, right now...
For twenty minutes every day, you stab little watermelon chunks with a fork, swirl them in the juice at the bottom of the bowl, and wait for her to open her mouth, the sign that she is ready for the next piece. The rest of your day is go, go, go, but during this time, you stop. You are present. You stare at the lines in her face, the colors of the blankets, the shape of her body under the covers. You try to memorize it all: every color, every curve, every sound.
How ignorant I was then! How could I possibly have thought that artichokes and strawberries somehow constituted some sort of "Last Supper"?! People who are dying don't eat artichokes and strawberries! People who are dying eat...watermelon.
People who are dying say things like, "a loaf of bread and a jug of wine", and expect you to know what they're talking about. Last Supper, indeed! The only thing your small mind can conjure up is Jesus, until she gives you another clue. You have to ask for it three times, until you finally make out her whisper: "The Rubaiyat...... Omar Khayyam".
And then you mention that you wished you had your computer, because you'd look it up. The dying person knows what he/she wants, and tells you to look it up on your phone. She may be 86 years old, but she knows that you can find anything you want on a phone!
Thank goodness the caregiver has a smart phone, even if you don't.
And so you begin to read (I highly suggest you read this aloud. Just do it. Please):
Wake! For the Sun, who scatter'd into flight
The Stars before him from the Field of Night,
Drives Night along with them from Heav'n, and strikes
The Sultan's Turret with a Shaft of Light.
You scroll down to see that there are "CI" verses. So you go to the middle, somewhere at random, and read aloud some more, filling the room with rhythm and rhyme:
And we, that now make merry in the Room
They left, and Summer dresses in new bloom
Ourselves must we beneath the Couch of Earth
Descend--ourselves to make a Couch--for whom?
Ah, make the most of what we yet may spend,
Before we too into the Dust descend;
Dust into Dust, and under Dust to lie
Sans Wine, sans Song, sans Singer, and--sans End!
You succeed in barely not choking up and crying. And then, in the scrolling, you see it. And of course you read it. Aloud.
A Book of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread--and Thou
Beside me singing in the Wilderness-- Oh,
Wilderness were Paradise enow!
We're getting close, friends. This person is gone.
Thursday, February 25, 2010
done
I guess I'm getting a new car! But it won't be a prize. Or a rental.
I'm going to have to buy it. The price is not more than I can afford.
I'd love to take you for a ride in it. As long as you don't mind traveling mapless.
My old, trusted auto no longer drives like it used to, and all the tinkering in the world won't help.
The only thing it is good for now is scrap metal.
I like scrap metal.
Now I just need a blow torch.
I'm going to have to buy it. The price is not more than I can afford.
I'd love to take you for a ride in it. As long as you don't mind traveling mapless.
My old, trusted auto no longer drives like it used to, and all the tinkering in the world won't help.
The only thing it is good for now is scrap metal.
I like scrap metal.
Now I just need a blow torch.
Sunday, January 3, 2010
the journey
One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice—
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do—
determined to save
the only life you could save.
-Mary Oliver
what you had to do, and began,
though the voices around you
kept shouting
their bad advice—
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do—
determined to save
the only life you could save.
-Mary Oliver
Sunday, April 12, 2009
Thursday, January 22, 2009
for swiss miss
As I lie on my back clothed in yet another paper gown, I stare at this man sitting on the stool next to me. I voice my feelings, for some reason, out loud to him: "You know, I actually WANT you to find something wrong... Isn't that strange?"
"No, not at all. You want it to be wrong, just not wrong wrong."
Exactly. I want an explanation, a reason, a diagnosis. I just don't want it to interfere with, you know, like, the rest of my life.
What I want him to answer for me is WHY, a day after my first Taxol chemotherapy infusion on January 5th, the tips of my fingers were so agonizingly painful that I could neither sleep nor pull up the happiness-inducing-flowery-over-the-knee socks sent to me by Cindy. You know the tingling in your fingers as they just begin to warm after the bitter cold? Or the momentary pain when one of your extremities has fallen asleep and is just beginning to awaken? It was like that, in all 10 of my phelanges, only it raged on nonstop for nearly 48 hours. Everyday activities were next to impossible: holding a pencil, turning a key, buttoning a blouse. Over the past two weeks it has subsided, and there now remains only a faint sensation, reminding me that I can't quite trust my finger tips the way I used to.
And so I was released from reporting to poison chair duty last Monday. It was, at that time, a huge relief. My oncologist sent me to another doctor, a neurologist, who ordered some tests to be performed by yet another doctor the next day. Their task is to find out if I have inherited CMT2 from my father, which may explain my reaction, and to generally assess the state of my nerves.
When I first enter the room, I am surprised by the tiny machine sitting along the wall. It's the size, shape, and color (baby poop beige) of a computer from the beginning of the computer age. It looks like a hand-me-down you would have found in a Boys and Girls Club 15 years ago. Four heavy-duty black knobs adorn the front. I realize that two weeks ago, my fingers would not have been able to turn them. Along the right hand side, assorted electrical cords in different colors are dangling like instruments of torture.
I put on the aformentioned gown, and sit, as comfortably as is humanly possible in a giant paper napkin, on the table.
And then the doc walks in. Jesus Christ! He fucking MATCHES his machine!
Short, balding, a combover complete with graying sideburns and a graying mustache. The blues of his striped oxford clash horrifically with the blues of his too-short whale tie. He reminds me of a man my mother might have dated in 1975 when I was eight. He is uncomfortable in his own body, uncomfortable with mine, but happy while squinting in front of his little machine and pinching the little electrical wires between his fingers.
I wonder, as he shocks the sensory and motor nerves of my arm and leg into spasms with little bolts of electricity, if he enjoys his job. Wonder what kind of pervert becomes a doctor who enjoys shocking people with ancient technology? I'm willing to bet he played Operation as a boy and got some sort of perverse pleasure when his tweezers didn't quite make it out safely. ZAP! He probably took apart the family's AM radio, just to look at the circuitry.
To take my mind off the fact that (ZAP!) this anachronistic man is attaching electrodes to my extremities and making my body convulse in a way that is completely out of my control, I stare at the ceiling. My mind floats back to all the (ZAP!) other machines (ZAP!) I have encountered over the past six months: the new digital mammogram, the ultrasound that guided the needle to the tumor, the MRI with its strangely melodic hums and whirs, Lynn's radiation laser monster, the beep-beep of the IV when the chemo was all dripped out. Then a small tear forms and (ZAP!) threatens to escape, because I am imagining the rest (ZAP!) of my life filled with the pricks of needles and the noises of machines.
And so, to take my mind off my uncertain future, I begin to count the little squares of the heater vent directly above my head. (I used to count lights and lines and pews and people in church as a girl to keep me occupied during the service; I think counting must be my own personal religious practice). There is nothing else in the room on which to fix my gaze. No pretty tulips, no inspirational messages, not even any comforting diplomas. The walls and ceiling are bare, the same color as the little bald man's electricity machine.
Eighteen squares across. That was easy. (ZAP!) The length, however, proves to be a bit more difficult, because me eyes are blurry from the tears, which are as automatic and as uncontrollable as my fingers and toes are at the moment. I begin counting, but have to blink, and lose my place in the cold gray metal, which I think must be as old as the doctor, as old as his machine, as old as I feel. I start over again. Blink. (ZAP!) Lose my place. Begin again. Keep my place this time. Keep counting. 42! My age. I don't believe it, so I start over. This time I am successful on the first try, having mastered the technique of holding my place while blinking through tears. It's a skill I realize would come in handy in so many other areas of my life. 42 again. Yes. Something about that just makes it all ok all of a sudden.
In the end, he finds nothing wrong. But, as he reminds me, that doesn't necessarily mean there's nothing wrong. Damn stupid inclusive fucking test bullshit! He explains in metaphors (all good docs do): "It's like if you have a water pipe, and it's only slightly clogged, the water still runs through it. We're testing the water flow, not looking inside the pipes."
So I still have my nerves, at least 90% of them anyway. They still sense and feel and conduct and react. But the Taxol did something to me that day. Something unexplainable. Something excruciating.
After I was dressed, the 1970's doctor with the 1970's machine handed me a copy of my report and explained that, from his findings anyway, he saw no reason to discontinue the Taxol. In short, there was nothing "wrong wrong". I think I am glad about this. Don't get me wrong, being 100% finished would have been nice. But in so many more ways, having to quit now would be, not just wrong, but "wrong wrong". I CHOSE to do this. I want to finish it. I want to be able to live my life, after cancer, knowing that I did everything within my power to make it leave me the fuck alone. I have finally learned, after surviving the hospital and reading this book, that ten more weeks of my life filled with chemo is not something I can't handle.
I've wanted to quit before. After three treatments, at one-fourth (a million years ago) I sobbed inconsolably for hours one night, wailing to my husband that I couldn't do it, this chemo thing. Now that I'm on the other other side of one-half, with the end in sight and 5/12 remaining, and they're telling me I might be done, I find myself, ironically but understandably, wanting it MORE!
I don't know what my oncologist, the dear Dr. Hoyer, into whose hands I have placed so much faith, will say when I see him a week from today. Whether or not he will want to "re-challenge" me with the Taxol or not. I have a feeling he will, as he has done from the beginning, lay all the facts on the table and let me decide. If he does...... bring it on, I say. Bring it fucking ON!
PS. Funny thing is, in order to write this post, I also went, in the words of Marc, "back to analog form". My beloved MacBook was in the process of being repaired, and I was forced to put pen to paper. While writing the above words, I was sitting on a patio on a nearly 70-degree January day, sipping Cuban coffee, stripped down to a tanktop and exposing my bald head to the glorious sunshine. Totally worth it. Sometimes you have to go backwards, in order to go forwards.
"No, not at all. You want it to be wrong, just not wrong wrong."
Exactly. I want an explanation, a reason, a diagnosis. I just don't want it to interfere with, you know, like, the rest of my life.
What I want him to answer for me is WHY, a day after my first Taxol chemotherapy infusion on January 5th, the tips of my fingers were so agonizingly painful that I could neither sleep nor pull up the happiness-inducing-flowery-over-the-knee socks sent to me by Cindy. You know the tingling in your fingers as they just begin to warm after the bitter cold? Or the momentary pain when one of your extremities has fallen asleep and is just beginning to awaken? It was like that, in all 10 of my phelanges, only it raged on nonstop for nearly 48 hours. Everyday activities were next to impossible: holding a pencil, turning a key, buttoning a blouse. Over the past two weeks it has subsided, and there now remains only a faint sensation, reminding me that I can't quite trust my finger tips the way I used to.
And so I was released from reporting to poison chair duty last Monday. It was, at that time, a huge relief. My oncologist sent me to another doctor, a neurologist, who ordered some tests to be performed by yet another doctor the next day. Their task is to find out if I have inherited CMT2 from my father, which may explain my reaction, and to generally assess the state of my nerves.
When I first enter the room, I am surprised by the tiny machine sitting along the wall. It's the size, shape, and color (baby poop beige) of a computer from the beginning of the computer age. It looks like a hand-me-down you would have found in a Boys and Girls Club 15 years ago. Four heavy-duty black knobs adorn the front. I realize that two weeks ago, my fingers would not have been able to turn them. Along the right hand side, assorted electrical cords in different colors are dangling like instruments of torture.
I put on the aformentioned gown, and sit, as comfortably as is humanly possible in a giant paper napkin, on the table.
And then the doc walks in. Jesus Christ! He fucking MATCHES his machine!
Short, balding, a combover complete with graying sideburns and a graying mustache. The blues of his striped oxford clash horrifically with the blues of his too-short whale tie. He reminds me of a man my mother might have dated in 1975 when I was eight. He is uncomfortable in his own body, uncomfortable with mine, but happy while squinting in front of his little machine and pinching the little electrical wires between his fingers.
I wonder, as he shocks the sensory and motor nerves of my arm and leg into spasms with little bolts of electricity, if he enjoys his job. Wonder what kind of pervert becomes a doctor who enjoys shocking people with ancient technology? I'm willing to bet he played Operation as a boy and got some sort of perverse pleasure when his tweezers didn't quite make it out safely. ZAP! He probably took apart the family's AM radio, just to look at the circuitry.
To take my mind off the fact that (ZAP!) this anachronistic man is attaching electrodes to my extremities and making my body convulse in a way that is completely out of my control, I stare at the ceiling. My mind floats back to all the (ZAP!) other machines (ZAP!) I have encountered over the past six months: the new digital mammogram, the ultrasound that guided the needle to the tumor, the MRI with its strangely melodic hums and whirs, Lynn's radiation laser monster, the beep-beep of the IV when the chemo was all dripped out. Then a small tear forms and (ZAP!) threatens to escape, because I am imagining the rest (ZAP!) of my life filled with the pricks of needles and the noises of machines.
And so, to take my mind off my uncertain future, I begin to count the little squares of the heater vent directly above my head. (I used to count lights and lines and pews and people in church as a girl to keep me occupied during the service; I think counting must be my own personal religious practice). There is nothing else in the room on which to fix my gaze. No pretty tulips, no inspirational messages, not even any comforting diplomas. The walls and ceiling are bare, the same color as the little bald man's electricity machine.
Eighteen squares across. That was easy. (ZAP!) The length, however, proves to be a bit more difficult, because me eyes are blurry from the tears, which are as automatic and as uncontrollable as my fingers and toes are at the moment. I begin counting, but have to blink, and lose my place in the cold gray metal, which I think must be as old as the doctor, as old as his machine, as old as I feel. I start over again. Blink. (ZAP!) Lose my place. Begin again. Keep my place this time. Keep counting. 42! My age. I don't believe it, so I start over. This time I am successful on the first try, having mastered the technique of holding my place while blinking through tears. It's a skill I realize would come in handy in so many other areas of my life. 42 again. Yes. Something about that just makes it all ok all of a sudden.
In the end, he finds nothing wrong. But, as he reminds me, that doesn't necessarily mean there's nothing wrong. Damn stupid inclusive fucking test bullshit! He explains in metaphors (all good docs do): "It's like if you have a water pipe, and it's only slightly clogged, the water still runs through it. We're testing the water flow, not looking inside the pipes."
So I still have my nerves, at least 90% of them anyway. They still sense and feel and conduct and react. But the Taxol did something to me that day. Something unexplainable. Something excruciating.
After I was dressed, the 1970's doctor with the 1970's machine handed me a copy of my report and explained that, from his findings anyway, he saw no reason to discontinue the Taxol. In short, there was nothing "wrong wrong". I think I am glad about this. Don't get me wrong, being 100% finished would have been nice. But in so many more ways, having to quit now would be, not just wrong, but "wrong wrong". I CHOSE to do this. I want to finish it. I want to be able to live my life, after cancer, knowing that I did everything within my power to make it leave me the fuck alone. I have finally learned, after surviving the hospital and reading this book, that ten more weeks of my life filled with chemo is not something I can't handle.
I've wanted to quit before. After three treatments, at one-fourth (a million years ago) I sobbed inconsolably for hours one night, wailing to my husband that I couldn't do it, this chemo thing. Now that I'm on the other other side of one-half, with the end in sight and 5/12 remaining, and they're telling me I might be done, I find myself, ironically but understandably, wanting it MORE!
I don't know what my oncologist, the dear Dr. Hoyer, into whose hands I have placed so much faith, will say when I see him a week from today. Whether or not he will want to "re-challenge" me with the Taxol or not. I have a feeling he will, as he has done from the beginning, lay all the facts on the table and let me decide. If he does...... bring it on, I say. Bring it fucking ON!
PS. Funny thing is, in order to write this post, I also went, in the words of Marc, "back to analog form". My beloved MacBook was in the process of being repaired, and I was forced to put pen to paper. While writing the above words, I was sitting on a patio on a nearly 70-degree January day, sipping Cuban coffee, stripped down to a tanktop and exposing my bald head to the glorious sunshine. Totally worth it. Sometimes you have to go backwards, in order to go forwards.
Friday, February 8, 2008
in uncharted waters
in uncharted waters,
when the horizon
pulses too orange
the sky horribly vast
a comfortable circumference
when the anchor
becomes a dutiful cross
pounding heart in search of waves
paddling frantically
when the horizon
pulses too orange
the sky horribly vast
and gravity
both pushes and pulls
when drowning
when drowning
becomes a choice better than swimming
and
even treading water is too strenuous --
i seek anchorage
even treading water is too strenuous --
i seek anchorage
a comfortable circumference
security in hemp
plenty of fish
plenty of fish
and
a small craft in which to catch my breath
cry a few salty tears of relief
when the anchor
becomes a dutiful cross
too heavy to bear
and i (noose-clad, choking in my own martyred creation)
am struggling in circles --
i long for the horizon
i long for the horizon
pounding heart in search of waves
paddling frantically
waiting for the crack to open between sky and sea
fierce and romantic
like an 8-year-old girl
with a brand new bike
and
like an 8-year-old girl
with a brand new bike
and
everywhere to go
[2007]
[2007]
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